Lovely example of 1970s cream crockery with floral print and unblemished gold rim. The entire set contains the typical embossed leaf and flower motif.
18 x Tea cups/saucers 17 x Coffee cups/saucers 18 x Soup plates 18 x Side plates 20 x Dinner plates 3 x Big serving plates 1 x Tea Pot 1 x Milk pot 1 x Sugar pot 1 x Gravy boat 1 x Serving Pot/Soup pot
Markings: Huguenot Royale
Condition: No cracks or chips. Pristine.
🌸Functional, practical and beautifully finished. It needed to attain this high standard to be included in hotel ware, caravanning crockery, the Blue Train, homeware shops and similar commercial ventures. There is a French theme running through all these sets.🌸
A beautiful pristine Huguenot Royale dinner and tea set have been added to our affiliate collection and is for sale. All wares are decorated with a very unique and stunning purple and blue print pattern.
Condition: No cracks or scratches and is complete.
I was first introduced to vintage ceramics by my mother by absolute chance in 2018. She asked me to sell some vintage crockery she collected over many years as she was moving into a smaller living space. They were snapped up and I got hooked on collecting vintage ceramics myself. Now I have my own “collection” which led to me starting this blog😊. Being male with very little understanding of vases, never mind flower arranging and its apparent connection to vases, I failed to appreciate the art of creating an eye-catching display of cut flowers. I am a forester by trade, but by no stretch of the imagination some sort of Keith Kirsten, but my understanding is that cut-flowers typically last 7 days if properly cared for and for indoor displays.
Being ignorant on these matters I asked myself WHY that is the case. 😆 The answer is that if you were to germinate or transplant flowers into a planter without drainage, any plant leaves and flowers you leave in the vase water will rot quickly, which will spread bacteria that will kill your flowers before their time. Drainage holes allows water to drain through the soil as in nature. Plants (annuals or perennials) planted in a flower bed need a growing medium of adequate drainage to hold sufficient water for a short time and to access nutrients via its rooting system which also anchors the plant. Not enough water and the plant dies, too much water and the water/roots will rot.
I think it is a shame to only display flowers or a bouquet for a short time in a beautiful vintage vase (quite the trend these days) to perhaps lend character to a room and or create a specific mood – only for the process to be repeated within 7 days or less. I get that people with large flower gardens want to bring some of that beauty and freshness into the house and for them it makes perfect sense. After a period of time a new vase is brought out and the old vase washed and put back on display. I believe vintage ceramics are perfect vessels for displaying cut flowers and my mission is to promote the use of them.
What if we could permanently display plants in those same vintage vases? Outdoor pots / container gardens are great for beginning gardeners, people who have limited space, or anyone who wants to dress up their porch or patio. They can be planted with a single plant or a combination of plants depending on the look you are trying to achieve. Popular plants for containers include flowers, herbs, veggies, grasses and succulents. Many gardeners switch out the plants they grow seasonally to ensure nonstop color throughout the year. Glazed pottery has a permanent look to it compared to terracotta pots and will be a perfect fit for patios and other areas that receive morning or afternoon sun.
Drill drainage holes in your vintage ceramics – shock – horror – yes I know, but hear me out! Many vintage ceramic collectors or thrifters have collected planters, vases of all shapes and sizes, and from various makers local and international. Many aren’t displayed or sold on due to crazing, hairline cracks, chips or other imperfections. Turn form into function by converting them into planters with drainage holes in the bottom.
I used an 8mm diamond-tipped hole saw drill bit (Massmart $6). I did some research and found these drill bits can each do around 40 holes before needing replacement. Drill through a paper towel inner roll to prevent the drill hitting the vase. It works! This video shows how to drill the holes:
Use Turnbuckle Wire Strainer Tensioners for each planter/pot. We used a 6mm turnbuckle with a hook for the top planter and a smaller 4mm diameter threaded rod turnbuckle for the lower one – for easy removal or replacement. The smaller 4mm will suffice and takes up less space than the 6mm size. Simply tie wire to both ends to connect the planters. Crucially, use large washers with an 8mm and up aperture, above and below the planter, with a smaller washer on top of the larger washer. This is especially important if the aperture in the larger washer does not tightly fit around the threaded rod, to prevent turnbuckle digging into the washer at an angle, causing the planter to hang at an angle. The washers also prevents stress on the planter/pot by spreading the load through the washers, but the washers also levels the planter and prevent it from hanging at an angle, especially since the holes are not drilled in the center of the mass (Centre of Gravity), as it is always good to have an additional drainage hole sufficiently spaced from the other.
It is important that there is actually a path for water to flow out the base of the planter. The water will then run down the connecting wire into the planter below via gravity.
Usually a planter with a drainage hole has a saucer below it to catch the water – but the water typically has to be tipped out to prevent bacteria forming from standing water. With this system water simply flows to the next planter eliminating the need for a saucer. Who needs a tunneling system??!😆
Please see the Resources section below. It is quite informative and will give you some ideas. I will upload my first creations (I am still getting used to this) to:
🔒 (♨️Kalahari Studio Ceramics, 1949 – 1973) . ***VINTAGE KALAHARI WARE STUDIO POTTERY HANGING WALL PLATE SOUTH AFRICA 1950s – BEAUTIFUL AFRICAN WOMAN*** . Dimensions: 260 x 30 mm . Markings: Hand painted K A L A H A R I . Circa: late 1950s or early 1960s . #vintagekalahari
Condition: Immaculate except for 2 small fleabite chips – see slides
Dr. F. G. E. Nilant, of the Department of History of Fine Arts, University of Pretoria, South Africa once said “In Europe the factory in which an object has been made is an eminently important consideration when people choose porcelain or earthenware. People feel proud to have in their possession a piece made in some world-famous pottery or other. In South Africa the circumstances are quite different. People are not only indifferent to, but quite unaware of, the various potteries in existence”.
Little has changed towards locally manufactured ceramics.
The rapid urbanisation that accompanied the South African economic boom of the 1950s inflated the costs of urban residential property. This led to the building of smaller homes and apartment blocks. It is speculated that ceramic items were ideally suited to serve as wall decorations in smaller, as well as lower-income homes. Ceramic wall-plates could be used as substitutes for paintings, as they were probably relatively inexpensive in comparison to framed original works of art or commercial reproductions. It is argued that ceramic decorative items had various practical advantages over two- and three-dimensional artworks. Due to their glazed finish, they could easily be cleaned and the variety of colors and images meant that ceramics could be used to decorate almost every room in the home. The South African ceramics industry, which was initiated in the post-war economic boom, and which at its peak included between thirty-two and thirty-nine factories and studios, was virtually defunct by 1965. The ceramics industry experienced a decline from approximately 1957 due to the substantial losses of income which were experienced as a result of the relaxation of import controls by the South African government and the ‘dumping’ of inexpensive Asian and American ceramics on the South African market.
Source: ‘Scorched Earth’ by Wendy Gers.
🌸Bottom line: There is a finite supply and that means increased value🌸